My art practice eventually arrived at a point where I had freedom from various limiting conditions; the institutional mindset is not airtight and isn't altogether ideologically programmed. There are ways of escaping.

There might just be a universal expectation to respect the dead, but my work is also born from another aspect of Thai society - that is, the overemphasis on familial bonds.

My art practice eventually arrived at a point where I had freedom from various limiting conditions; the institutional mindset is not airtight and isn't altogether ideologically programmed. There are ways of escaping.

What is difficult is to keep the sweet voice with an aggressive message.

In academic circles, especially, I was criticized for lacking morals, values, and ethics. I'm feeding that angry feminist reading of my work.

It's surprising that readers don't see challenging writing as morally hazardous, when it might be pushing the same kinds of boundaries as art does.

Women in Thai society have been placed in the space of the home. It is possible that women have assuredly taken up that place without thinking too critically about it.