I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music. If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.

It's been a growth process for each of us to understand why we find certain things beautiful. And if we do find something beautiful, we'll chase it, because you want to understand yourself and what your psyche is creating.

There is also a particular frustration that I have with language. It's so clumsy. And the reason I'm feeling that is more because on your breathing and your intonation than the actual words.

I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music.

Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.

A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye.

A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye. And something I always find beautiful about Jesse's work is that he finds beauty without any calculation. People say that his work is dark, but he never sees it as such. For him it's all almost about educating people to process why they feel disgust.