It's been a growth process for each of us to understand why we find certain things beautiful. And if we do find something beautiful, we'll chase it, because you want to understand yourself and what your psyche is creating.

I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music. If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.

It's been a growth process for each of us to understand why we find certain things beautiful. And if we do find something beautiful, we'll chase it, because you want to understand yourself and what your psyche is creating.

I do love voices so much that I will use them and manipulate them. The presence of a human voice in a piece of music is really exciting, even if it's just someone's breathing.

I try to have things change before I get bored, and I figure other people might enjoy that too; I try not to let anything repeat for long enough that you can get used to it.

It struck me at some point that the things I wanted to say had to be wordless. I had to renounce words in order to go deep into the practice of making materials and textures that would express what I'm trying to say more accurately.

First thought, best thought. I live by that when I make my own music.