I had an unspoken treaty with myself to never lie in my lyrics, so, for a long time, when I wrote love songs, I would use genderless pronouns, like "dear" and "darling" - like some kind of granny!

You might be raised as a boy in a very conservative environment and then somehow, at some point, there was a side of me that felt really powerful and sensual in a way that was more feminine. For me, it's not about living my life as a boy or a girl - but I'm also not trans - it's just that one day you wake up feeling masculine, and one day you wake up feeling feminine. The flickering in between those two states is what's most fertile for me.

A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye. And something I always find beautiful about Jesse's work is that he finds beauty without any calculation. People say that his work is dark, but he never sees it as such. For him it's all almost about educating people to process why they feel disgust.

I do love voices so much that I will use them and manipulate them. The presence of a human voice in a piece of music is really exciting, even if it's just someone's breathing.

You become more animalistic when you don't know what's coming next - you have to be on guard, but at the same time you're also more receptive.

A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye.

Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.