Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.

I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.

When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making.

It's very human to try to put things into boxes, and it's hard for us to reconcile with grey areas, and yet somehow that's the area I find the most poetic, the juiciest.

There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.

It struck me at some point that the things I wanted to say had to be wordless. I had to renounce words in order to go deep into the practice of making materials and textures that would express what I'm trying to say more accurately.

Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.