It was a particularly interesting and exciting time, and the European political and artistic establishment was turned on by the Civil Rights Movement and the artistic revolution that was becoming a part of jazz.

You get a show where people are jumping up and dancing, but it's not a critical event in the sense of profound catharsis. Essentially it's celebratory.

A whole generation of young whites have involved themselves with traditional Negro music.

In America, for a brief time, people who followed John Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort.

Yes, the audience is so important to Negro music, especially the element of call and response.

Music is a language, and it's like a dictionary that has a lot of words, but if you limited yourself to a couple of definitions you would be illiterate. If one limits oneself to a peculiar definition like 'new music,' 'avant-garde,' or something like that, I think it's like cutting out half the dictionary.

Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole.