I think the good news for me in life is that I really trust my instincts when I come to work. Maybe less in life and in love, but in work and in comedic beats, I feel pretty confident.

When you're an actor, people talk a lot about how, at some point, you really have to take control of your career and what you want to do and create your own content. But for me it came from a really natural place of wanting to feel like what you're putting in the world has some meaning for you.

There's pressure to come up with something genius every time. I feel like I keep letting myself down with my Twitter posts. I have to start keeping a journal of rough drafts of prophetic ideas about the world.

Most people, no matter what they do, they don't think they're a bad person. The place where their actions are coming from is a complicated place and a whole personal history. I definitely think that it helped me to look at the world a little less judgmentally.

Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.

It's the people that ultimately are less talented or have less confidence in what they're doing that then try to micro-manage, which lends itself to a less than ideal film.

Stand-up comedy is still a very male-dominated world. You look at a set list and maybe there's one woman on there.