I think the good news for me in life is that I really trust my instincts when I come to work. Maybe less in life and in love, but in work and in comedic beats, I feel pretty confident.

Through working with amazing people, the bar is always raised to do your own best work. I want to be a part of unique stories that are smart, heartfelt, funny and sad, and have a general sense of good quality.

The best and most talented directors - and I think it goes for people too - are the most confident in giving room to their actors and trusting them.

There's a certain truism that you can't be self-conscious in comedy. If I'm in it and if there's a scene that has a great set-up, I will go as far as somebody will let me.

When you're an actor, people talk a lot about how, at some point, you really have to take control of your career and what you want to do and create your own content. But for me it came from a really natural place of wanting to feel like what you're putting in the world has some meaning for you.

Regardless of what kind of film, the number one rule of comedy is to never take yourself too seriously and then the next rule is you can't have any self-consciousness, otherwise it kills the laugh, and that will never change.

I did babysit a little bit when I was young. I prefer babysitting for babies. I always loved babies. I was not as great with kids that wanted to be entertained and that wanted to talk.