The creativity and pathology of the human mind are, after all, two sides of the same medal coined in the evolutionary mint. The first is responsible for the splendour of our cathedrals, the second for the gargoyles that decorate them to remind us that the world is full of monsters, devils, and succubi.

In the index to the six hundred odd pages of Arnold Toynbee's A Study of History, abridged version, the names of Copernicus, Galileo, Descartes and Newton do not occur yet their cosmic quest destroyed the medieval vision of an immutable social order in a walled-in universe and transformed the European landscape, society, culture, habits and general outlook, as thoroughly as if a new species had arisen on this planet.

The fact is: I no longer believe in my own infallibility. That is why I am lost.

If one looks with a cold eye at the mess man has made of his history, it is difficult to avoid the conclusion that he has been afflicted by some built-in mental disorder which drives him towards self-destruction. Murder within the species on an individual or collective scale is a phenomenon unknown in the whole animal kingdom, except for man, and a few varieties of ants and rats.

The principle that the end justifies the means is and remains the only rule of political ethics; anything else is just a vague chatter and melts away between one’s fingers.

Honor is decency without vanity.

The creativity and pathology of the human mind are, after all, two sides of the same medal coined in the evolutionary mint. The first is responsible for the splendour of our cathedrals, the second for the gargoyles that decorate them to remind us that the world is full of monsters, devils, and succubi.