It occurs to me that with all the television people watch, most of their acquaintances are actors.

There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.

Can anyone remember love? It's like trying to summon up the smell of roses in a cellar. You might see a rose, but never the perfume.

He's not the finest character that ever lived. But he's a human being, and a terrible thing is happening to him. So attention must be paid.

Those who formally rule take their signals and commands not from the electorate as a body, but from a small group of men. This group will be called the Establishment. It exists even though that existence is stoutly denied. It is one of the secrets of the American social order... A second secret is the fact that the existence of the Establishment - the ruling class - is not supposed to be discussed.

My plays are always involved with society, but I'm writing about people, too, and it's clear over the years that audiences understand them and care about them. The political landscape changes, the issues change, but the people are still there. People don't really change that much.

A small man can be just as exhausted as a great man.