It is only now, these years later, that Rahel with adult hindsight recognized the sweetness of that gesture. A grown man entertaining three raccoons, treating them like real ladies. Instinctively colluding in the conspiracy of their fiction, taking care not to decimate it with adult carelessness. Or affection. It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain. To let it be, to travel with it, as Velutha did, is much the harder thing to do.

As Indian citizens, we subsist on a regular diet of caste massacres and nuclear tests, mosque breakings and fashion shows, church burnings and expanding cell phone networks, bonded labor and the digital revolution, female infanticide and the NASDAQ crash, husbands who continue to burn their wives for dowry and our delectable stockpile of Miss Worlds. What's hard to reconcile oneself to, both personally and politically, is the schizophrenic nature of it.

With one hand, you're selling the country out to Western multinationals. And with the other, you want to defend your borders with nuclear bombs. It's such an irony! You're saying that the world is a global village, but then you want to spend crores of rupees on building nuclear weapons.

When she looked at herself in her wedding photographs, Ammu felt the woman that looked back at her was someone else. A foolish jewelled bride. Her silk sunset-coloured sari shot with gold. Rings on every finger. White dots of sandalwood paste over her arched eye-brows. Looking at herself like this, Ammu's soft mouth would twist into a small, bitter smile at the memory - not of the wedding itself so much as the fact that she had permitted herself to be so painstakingly decorated before being led to the gallows. It seemed so absurd. So futile. Like polishing firewood.

How carelessly imperial power vivisected ancient civilizations. Palestine and Kashmir are imperial Britain's festering, blood-drenched gifts to the modem world. Both are fault lines in the raging international con�icts of today.

It's very easy for me to begin to believe the publicity about myself, whether for or against. It can give you an absurd idea of yourself. I know that there's a fine balance between accepting your own power with grace and misusing it. And I don't ever want to portray myself as a representative of the voiceless. I'm scared of that.

My writing is translated into every Indian language, it's distributed in pamphlets, in little private video things, it's everywhere. So it's a lovely pastime for the middle class to think of itself as the whole nation.