I don't even think places like the National Youth Theatre (NYT) are necessarily about wanting to be an actor when you grow up. They're about meeting people from different backgrounds and different religions and different cultures, and mixing with people that you wouldn't ordinarily meet.

It was almost like being a child again because you felt like you were in your bedroom and it almost felt like no one was really watching you. So, you were just kind of having a bit of fun on your own doing silly voices in the bedroom.

My husband is always telling me: 'We're on holiday - we don't need to have an itinerary!' But I always want to see as much as I can. Sometimes, I come back from holiday needing a holiday.

I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks.

I was in King Lear with Sir Tom Courtenay at The Royal Exchange in Manchester. In fact, that's where I met my husband. I was playing Regan and he was playing Cornwall and together we fell in love plucking out Gloucester's eyes. It was great fun. Everyone assumes that I was Cordelia because I've got blonde hair but I was Regan and they gave me a long auburn wig. It was great, good fun.

I still giggle when someone asks for my address and I say, Hollywood, Los Angeles.

I'm thinking of Mary Poppins, The Sound of Music... there are too many to name really. And all the old classic ones like Snow White & The Seven Dwarfs and Bambi. That's brutal!