I think because I did become a well-known face in my thirties and not in my twenties, I was pretty settled in my boots and I knew who I was. And I think there's a sort of Scottish thing, too, where you don't take yourself too seriously, and you don't get carried away with your own sense of self-importance.

As a child, I always chose a false nose and some face paint and a wig for my birthday.

I do quite like sightseeing. I like churches, museums, galleries and all that stuff. I love the smell of a church in Italy or the smell of an old greasy spoon somewhere. I like markets and little funny shops in the backstreets of Florence.

I think that children that are acting are always pretty savvy anyway because you're conducting yourself around adults a lot of the time, aren't you? But there is this worry now that children just want to be famous.

I was in King Lear with Sir Tom Courtenay at The Royal Exchange in Manchester. In fact, that's where I met my husband. I was playing Regan and he was playing Cornwall and together we fell in love plucking out Gloucester's eyes. It was great fun. Everyone assumes that I was Cordelia because I've got blonde hair but I was Regan and they gave me a long auburn wig. It was great, good fun.

My husband is always telling me: 'We're on holiday - we don't need to have an itinerary!' But I always want to see as much as I can. Sometimes, I come back from holiday needing a holiday.

My mum Margaret was a single parent, but though life was a bit of a struggle she gave me every encouragement.