We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.

I don't have to act for work anymore; I can act for passion. That's freeing, but it's also a prison of its own. When you can do anything you want, you're really responsible to do something great. And that's scary.

I don't read the magazines that make things up about people. I know what the truth is. I don't sort of indulge in my own fodder. I don't really care what they write about me.

I gave up smoking, I never gave up the drinking. But it's hard to smoke and swim at the same time. You'd get to the edge of the pool and all you'd be wanting is a cigarette when all you actually really want is oxygen. So I traded the smoke for the oxygen.

Vulnerability is the essence of romance. It's the art of being uncalculated, the willingness to look foolish, the courage to say, 'This is me, and I'm interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more important, all that I am not.'

There are a lot of perks that come with fame and with every positive there's a negative and then it all kind of balances out. The travelling is great. You get to see so many different places but there's a downside; having everything splattered across every media resource that exists, being chased by photographers and have them sit at the end of your driveway every day. But it all kind of balances.

True luxury is being able to own your time - to be able to take a walk, sit on your porch, read the paper, not take the call, not be compelled by obligation.