We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.

I didn't really go the starving-artist route. I kind of went and did massive, commercial things.

It takes a lot of energy to be funny... for me it does. I feel like I work twice as hard when I'm doing comedy.

I think directing yourself is a monumental task. Just to self edit as an actor, you work for some directors who don't give you a lot of feedback so you have to do that. That's a difficult thing to do as an actor.

I wouldn't say you have an online life and a real life. I think technology is just mapping and organizing what already exists.

Although I considered putting my eight years of Boy Scout experience and love for our nation to the test by joining the military, I did not want to put myself in a position where I might be commanded to take the life of another, and quickly ended my flirtation with military service.

Vulnerability is the essence of romance. It's the art of being uncalculated, the willingness to look foolish, the courage to say, 'This is me, and I'm interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more important, all that I am not.'