With actors and directors, it's a conversation that you have. You have to learn each other's language and learn how to communicate with each other effectively. It's really nice when you can have that communication on a level where they walk up to you and you can see by the expression on their face what they want. You don't even have to talk, it just like, "Got it!" And, you know what they want before they even ask for it.

I really think that you have to find a partner that compliments you and is somebody that pushes you and is better at some things than you are, so they can push you to improve yourself as a person.

I think people are having less of an investment in relationships. It used to be that you meet someone, you go on four or five dates and you gradually get to know them and trust them at the same time, and you learn a little bit about them. Now, it could be one date - maybe even before that first date - you go on Facebook have all the information.

I hate Valentine's Day. I think every day should be a day of romance. Then, on Valentine's Day, you should get to tell whoever you hate that you cannot stand them. There would be one day of hating, and 364 days of love.

I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.

It's hard to appreciate success in modeling, because it's not something you feel like you've earned, so there is a little bit of bread of shame that comes with that. It's like somebody giving you a puzzle that's already put together.

The power of a handwritten letter is greater than ever. It's personal and deliberate and means more than an e-mail or text ever will. It has a unique scent. It requires deciphering. But, most important, it's flawed.