I want to thank all the shoulders of the strong and brave and courageous women that I am standing on.

You feel the communion of the collective consciousness in that moment when you're on stage doing something and the audience is absolutely with you. And the audience becomes a collective entity as well. They come in from separate places and socio-economic backgrounds, and places across the world and days that they've had, and then they come together and they become one collective thing, and experience something in a collective way.

Every human being has a dream. I think what's special about the American Dream is that it implies, given everything that's happened with the history of America, that there is the opportunity to make your dream come true. So I think America signifies opportunity.

I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.

I think a part of evolution is the desire to know yourself, and know the world you live in, and discover everything you can about the world you live in. That world can be the microcosm of your own emotions, or a society, or the cosmos. There's this constant desire for knowledge.

I consider myself to be a feminist. My hope and goal is that I'm going to raise two very strong independent women that won't need anybody, unless they chose that. I want them to be mistresses of their own destiny. But I don't judge people on the other end of that spectrum either.

I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.