I want to thank all the shoulders of the strong and brave and courageous women that I am standing on.

You feel the communion of the collective consciousness in that moment when you're on stage doing something and the audience is absolutely with you. And the audience becomes a collective entity as well. They come in from separate places and socio-economic backgrounds, and places across the world and days that they've had, and then they come together and they become one collective thing, and experience something in a collective way.

Some sort of creativity is within everybody; I think that's just a part of the human spirit. I think there's no human being on earth who is not creative in some way, because I think it's just a part of our genetic makeup.

I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.

I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.

It's easy to spend - especially in this day and age - to spend your time not being in the present. It's very easy to be way ahead. What's tomorrow and the day after that?

I played Mother Abbess in The Sound of Music and everybody's like, "Well she wouldn't have been this and that, she shouldn't be playing it." Well I'm going to do it and I did it. I've been warned my entire life and I've persisted and that's what I hope my children will do as well.