It's easy to spend - especially in this day and age - to spend your time not being in the present. It's very easy to be way ahead. What's tomorrow and the day after that?

I want to thank all the shoulders of the strong and brave and courageous women that I am standing on.

For me, I am constantly forcing myself to evolve, because, I think, to stagnate creatively - there's a certain death that happens with that. Because if you're not moving forward and you're not evolving, you're devolving, and I don't want to go backwards. I want to be better at what I do tomorrow than I am today. I don't want to be worse.

Rise above the way society is going to see you and society is going to see you at the absolutely bottom of the totem pole because not only are you female, you are Black. Never believe it and never give into that, that that's where you live or that's who you are.

The only thing I've ever wanted to do in my entire life is to be on Broadway.

You feel the communion of the collective consciousness in that moment when you're on stage doing something and the audience is absolutely with you. And the audience becomes a collective entity as well. They come in from separate places and socio-economic backgrounds, and places across the world and days that they've had, and then they come together and they become one collective thing, and experience something in a collective way.

I'm addicted to those moments when you're on stage and the audience is so quiet you could hear a pin drop and you realize that you're in communion. That's an incredible experience. That's a cosmic experience, as far as I'm concerned, without getting way out there.