I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.

I was a little girl with a pot belly and Afro puffs, hyperactive and overdramatic, and I found the theater and I found my home.

Whatever is the scariest is almost always what I end up choosing.

In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.

I think a part of evolution is the desire to know yourself, and know the world you live in, and discover everything you can about the world you live in. That world can be the microcosm of your own emotions, or a society, or the cosmos. There's this constant desire for knowledge.

Some sort of creativity is within everybody; I think that's just a part of the human spirit. I think there's no human being on earth who is not creative in some way, because I think it's just a part of our genetic makeup.

Pedigree matters: if you break your shoulder trying to open a door, it's much harder to play the game once you get in the room.