I'm still an artist who's searching, trying to evolve, an artist who - nine times out of ten - is dissatisfied with her work, and beats herself, and goes out there and tries again and again, and falls on her face and looks for new challenges.

I think it's absolutely essential to encourage creativity. I think we come in as these wide-eyed sponges, ready to create and absorb and evolve, and I think more often than not we are squashed, the older we get.

I was a little girl with a pot belly and Afro puffs, hyperactive and overdramatic, and I found the theater and I found my home.

I think a part of evolution is the desire to know yourself, and know the world you live in, and discover everything you can about the world you live in. That world can be the microcosm of your own emotions, or a society, or the cosmos. There's this constant desire for knowledge.

I consider myself to be a feminist. My hope and goal is that I'm going to raise two very strong independent women that won't need anybody, unless they chose that. I want them to be mistresses of their own destiny. But I don't judge people on the other end of that spectrum either.

I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.

Whatever is the scariest is almost always what I end up choosing.