Those of us forged in the crucibles of difference know that survival is not an academic skill.

When I speak of the erotic, then I speak of it as an assertion of the life force of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.

When we create out of our experiences, as feminists of color, women of color, we have to develop those structures that will present and circulate our culture.

Institutionalized rejection of differences is an absolute necessity in a profit economy which needs outsiders as surplus people. As members of such an economy, we have all been programmed to respond to the human differences between us with fear and loathing and to handle that difference in one of three ways: ignore it, and if that is not possible, copy it if we think it is dominant, or destroy it if we think it is subordinate.

Raising Black children-female and male-in the mouth of a racist, sexist, suicidal dragon is perilous and chancy. If they cannot love and resist at the same time, they will probably not survive.

What I leave behind has a life of its own.

Art is not living. It is the use of living.