Burmese authors and artists can play the role that artists everywhere play. They help to mold the outlook of a society - not the whole outlook and they are not the only ones to mold the outlook of society, but they have an important role to play there. And I think if they take up this role seriously and link it to the kind of changes were wish to bring about in our country they could be a tremendous help.

When I was in London a Kachin youth criticized me for not condemning the Burmese military for their offensive in Kachin State. I answered "condemnation is not the solution." We want to build reconciliation, not condemnation.

I've never thought of myself as being particularly brave - I used to be frightened of the dark when I was small. And I'm not very good with dead rats and things like that. But I face what has to be faced and I hope as best as I'm able.

Sometimes I think that a parody of democracy could be more dangerous than a blatant dictatorship, because that gives people an opportunity to avoid doing anything about it.

My top priority is for people to understand that they have the power to change things themselves.

I think I was the healthiest prisoner of conscience in the world.

The act of willingly subtracting from one's own limited store of the good and the agreeable for the sake of adding to that of others reflects the understanding that individual happiness needs a base broader than the mere satisfaction of selfish passions. From there, it is not such a large step to the realization that respecting the susceptibilities and rights of others is as important as defending one's own susceptibilities and rights if civilized society is to be safeguarded.