As long as you're in an environment where the worth of the project isn't based on the project but what its predecessors did, it's not truly inclusive.

I think good publicists are just like good mommies - always looking out, making sure folks are comfortable and making sure that folks are on time and making sure that folks are getting what they need and know what they need to do.

I'm a huge Dirty Dancing fan. I feel like I should be reading [William] Shakespeare, but I'm watching Baby not be in a corner.

For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.

I think there are pieces of the film [Age Of Trump] that are even more emotionally resonant and more vital to talk about than ever.

For far too long, independent voices have been relegated to places where these ideas are not seen on a mass level.

These are dark times for a lot of people who believe differently than our incoming administration [of Donald Trump], but there's also joy there, and there's also something in unifying around the things that we do believe in.