I know that there are a lot of great women that have gone before me, so it's important to acknowledge them.

It was easy for me to show the films to the studio and the network and say, "This is who I'm hiring."

When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.

The terrain of the face is the most dynamic thing you can point the camera at, to me. I love production design and bells and whistles and all of that. I love a technograin as much as the next gal, but a great actor's face? What else should we be looking at?

The traditional ways to make a film, the traditional ways to share a film, have all collapsed. There are no gatekeepers, per se, any more, and anything can be done. Truly, I feel that.

I didn't go to film school. I got my education on the set as a niche publicist in the film industry.

I'm making and marketing my films, by any means necessary, and enjoying life while I do so.