It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.

Around the time I dropped out of college, I decided to start taking what I liked about short stories and apply it to writing songs - to make these things that would change and keep going.

Hell is a swamp, to me - not as something fiery, but as something dank, moist, and wet.

Sometimes I have the idea right away, like, "Oh, this is what this song's about. This is how I'm feeling."

I love electronic music as much as I love something that sounds like 'Pullhair Rubeye,' or something a little bit more organic than that.

It's not so much a philosophy as much as it is a pace. We need to be personally involved with every aspect of the records including the artwork, we want everything to have a similar aesthetic.

We're all living in different states and we all have different systems within those states. Even on the most basic personal level, it affects me.