Hell is a swamp, to me - not as something fiery, but as something dank, moist, and wet.

I love electronic music as much as I love something that sounds like 'Pullhair Rubeye,' or something a little bit more organic than that.

An important meeting point for me was realizing the similarity between a DJ set and a Grateful Dead set: I grew up listening to how the Dead would take a song and just jam on it, and then transition into another song.

I didn't really know why I wanted to go to college. I didn't really have a reason to go there other than the fact that everybody else was doing it.

It's not so much a philosophy as much as it is a pace. We need to be personally involved with every aspect of the records including the artwork, we want everything to have a similar aesthetic.

I just had a really crappy time in school and I spent a lot of time writing songs and not doing work. I started talking to Noah - Panda Bear - about recording a really solid album, spending a lot of time on it to get it to sound exactly the way we wanted it to.

I definitely didn't have a lot of money. I had been fired from a record store. I was just trying to get by. I was on unemployment. I didn't have anything going full-time.