There are problems everywhere, of course, but you can only see those certain problems when you reach a certain level. So I try to think of those problems as, "This is a sign that I'm having success, that I'm also having issues with this."

You know what, maybe I just want a different kind of life. Maybe I want to open an antique store and coffee shop, and have a different kind of life.

Both of my parents were incredibly supportive of me being in any arts, because they were both in the arts. They weren't the typical story of, "Oh, get a real job. You need to make money." They basically said, "Yup, be an artist. You'll be broke your whole life but you'll be happy."

Sometimes the characters that I'm most resistant to are the ones that I find the most satisfying to play, because you have to dig deeper and you have to find different parts of yourself that are not necessarily the first thing you access and that's fun and interesting.

I think it's very hard to go into the same business as your family when you're an artist.

I don't know if I'll ever direct, but producing is dipping my toe into my behind-the-scenes world.

I work constantly to be better at being rejected.