There are problems everywhere, of course, but you can only see those certain problems when you reach a certain level. So I try to think of those problems as, "This is a sign that I'm having success, that I'm also having issues with this."

I think that it's a myth that there's one job that makes your whole career, unless you're winning an Oscar. But even that doesn't work for some people.

I feel crushingly embarrassed when I do bad work, so being rejected after doing bad work is actually harder than being rejected after doing good work.

I've always just shown up to set and said the lines, [but] I want to help develop scripts and help cast and help bring a visual tone to something.

The idea of a journeyman actor, people sort of say negatively - "Someone who never made it for real" - [but] I think a journeyman actor is the complete goal.

The thing I'd miss most is the feeling when acting is going well, when you start a play and you end the night and you look back and go, "What just happened?"

You never know what's going to happen, so you just continue with your head down and never expect things to start being handed to you.