I've always just shown up to set and said the lines, [but] I want to help develop scripts and help cast and help bring a visual tone to something.

Sometimes the characters that I'm most resistant to are the ones that I find the most satisfying to play, because you have to dig deeper and you have to find different parts of yourself that are not necessarily the first thing you access and that's fun and interesting.

Being an actor is definitely not the hardest job in the world - it's definitely a first-world problem to have, but I'm not very good with rejection. I constantly question whether or not I'm suited for this business, because it is your job to get rejected.

If I had a child and she was a girl, I'd hope she'd do something different from me.

What you learn in any acting class is how to make a fool of yourself and enjoy things and get out of your head.

I think that it's a myth that there's one job that makes your whole career, unless you're winning an Oscar. But even that doesn't work for some people.

Most of my comedy is accidental, I would say. If I don't know what the joke is, I'm going to play it better than if I do.