The worst feeling in the world is giving a bad audition.

You have to find something you relate to in every character.

What you learn in any acting class is how to make a fool of yourself and enjoy things and get out of your head.

As you get older and you progress in your career, you start to want to have more control over things and you have ideas.

Sometimes the characters that I'm most resistant to are the ones that I find the most satisfying to play, because you have to dig deeper and you have to find different parts of yourself that are not necessarily the first thing you access and that's fun and interesting.

I think it's very hard to go into the same business as your family when you're an artist.

I've always just shown up to set and said the lines, [but] I want to help develop scripts and help cast and help bring a visual tone to something.