Sooner or later we've all got to confront the reality that we have got to come to understand who we are and what we're doing, and the extent to which we are guided or manipulated by forces that are beyond our control.

I've always felt a connection to kids who go to church. I think I'm fundamentally a religiously oriented and religiously minded person. It's very easy for me to communicate with people who have that same grounding, that same vocabulary or modality of thinking and expressing themselves.

Here's the problem: we are living in a time when the act of reading is changing. The nature of a reader's attention is changing. The capacity for deep literary engagement is changing.

I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.

I'm a storyteller. I feel like the issue of discourse is an important one because there's a lot of political and ideological discourse that goes around, and we relate to that on an intellectual level.

I feel like that religions generally ask the biggest questions. They may not always have the best answers, but they're the zone of human activity that regularly asks the biggest questions.

If you want to really deeply touch the viewer or the reader, the theater might be the most powerful way to do it.