If you want to really deeply touch the viewer or the reader, the theater might be the most powerful way to do it.

Here's the problem: we are living in a time when the act of reading is changing. The nature of a reader's attention is changing. The capacity for deep literary engagement is changing.

I don't want to test that simple sense of being human. I don't want to transform it.

The secret of a happy life is respect. Respect for yourself and respect for others.

I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.

I'm a storyteller. I feel like the issue of discourse is an important one because there's a lot of political and ideological discourse that goes around, and we relate to that on an intellectual level.

I've always felt a connection to kids who go to church. I think I'm fundamentally a religiously oriented and religiously minded person. It's very easy for me to communicate with people who have that same grounding, that same vocabulary or modality of thinking and expressing themselves.