I've always felt a connection to kids who go to church. I think I'm fundamentally a religiously oriented and religiously minded person. It's very easy for me to communicate with people who have that same grounding, that same vocabulary or modality of thinking and expressing themselves.

I think that literary forms are losing their capacity to connect people to issues, to the experiences that feel most meaningful to them.

If you want to really deeply touch the viewer or the reader, the theater might be the most powerful way to do it.

In my early 30s, I started to realise I was avoiding something on a personal level, but also as a writer. I was in denial about who I was, and was trying to be someone who I was not.

I can't be a spokesman for anything other than my own concerns. I have to be free to wrestle with my own preoccupations, and if I'm bringing any political awareness to that process, that mitigates my freedom.

I've always felt a connection to kids who go to church. I think I'm fundamentally a religiously oriented and religiously minded person. It's very easy for me to communicate with people who have that same grounding, that same vocabulary or modality of thinking and expressing themselves.

I feel like that religions generally ask the biggest questions. They may not always have the best answers, but they're the zone of human activity that regularly asks the biggest questions.