I don't have an ideal reader. I'm trying to reach something simple and, I believe, universal, in every single person.
Ayad AkhtarI consider myself to have been formed by a lot of the locutions and aesthetics and principles of the Muslim way of life, and those are an important part of my childhood and my identity.
Ayad AkhtarI don't feel that as an artist my job is to offer PR propaganda, whether for the good or for the bad.
Ayad AkhtarI can't be a spokesman for anything other than my own concerns. I have to be free to wrestle with my own preoccupations, and if I'm bringing any political awareness to that process, that mitigates my freedom.
Ayad AkhtarI'm a storyteller. I feel like the issue of discourse is an important one because there's a lot of political and ideological discourse that goes around, and we relate to that on an intellectual level.
Ayad AkhtarI started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.
Ayad Akhtar