I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.

In my early 30s, I started to realise I was avoiding something on a personal level, but also as a writer. I was in denial about who I was, and was trying to be someone who I was not.

I'm a storyteller. I feel like the issue of discourse is an important one because there's a lot of political and ideological discourse that goes around, and we relate to that on an intellectual level.

I don't have an ideal reader. I'm trying to reach something simple and, I believe, universal, in every single person.

I see the American experience as being defined by the immigrant paradigm of rupture and renewal: rupture with the old world, the old ways, and renewal of the self in a bright but difficult New World.

I think there is a lot of continuity between the Jewish and the Islamic traditions. We know this historically, though people don't want to talk about that - especially Muslims. There is a common source for both Judaism and Islam, or let's say that Islam finds its source in Judaism. The commonalities of practice and sensibility, ethos and mythos, create a lot of overlap.

If you want to really deeply touch the viewer or the reader, the theater might be the most powerful way to do it.