One of the darkest, deepest shames so many of us mothers feel nowadays is our fear that we are Bad Mothers, that we are failing our children and falling far short of our own ideals.

The biggest challenge for any craft person or artist is to accept the constraints of their medium and make something beautiful despite them. That's kind of fun, actually.

Before I was married, I didn't consider my failure to manage even basic hand tools a feminist inadequacy. I thought it had more to do with being Jewish. The Jews I knew growing up didn't do 'do-it-yourself.' When my father needed to hammer something he generally used his shoe, and the only real tool he owned was a pair of needle-nose pliers.

During the periods in my marriage when I chose to stay home with my kids rather than work as an attorney, it caused me no end of anxiety. Despite the fact that I knew I was contributing to our family by caring for our children, I still felt that my worth was less because I wasn't earning.

I had a second trimester abortion. I was pregnant with a much-wanted child who was diagnosed with a genetic abnormality. I made a choice to terminate the pregnancy. It was my third pregnancy, and I was very obviously showing. More important, I could feel the baby move.

Most writers spend their lives standing a little apart from the crowd, watching and listening and hoping to catch that tiny hint of despair, that sliver of malice, that makes them think, 'Aha, here is the story.'

The only difference between a writer and someone who wants to be a writer is discipline.