The idea that [Jeff Sessions] is the man who is going to end the progress on the drug war makes me want to rip my hair out, every carefully nurtured curl on my head.

Where would the memoir be without bipolar writers? I mean, that's what - that whole oversharing thing is really a very clear symptom of bipolar disorder. And I'm not saying that every, you know, I'm not accusing every memoirist of being bipolar. But I think in a way it's kind of a gift.

I think I wish I had never spanked my children, but I have. And they remember every instance like they tattooed it on their palms. I think it's a terrible lesson, to use physical punishment to make a point about not behaving, not being kind to their siblings, to other people. I mean that's just absurd. But I've lost it, I understand it.

The Q I loathe and despise, the Q every single writer I know loathes and despises, is this one: 'Where,' the reader asks, 'do you get your ideas?' It's a simple question, and my usual response is a kind of helpless, 'I don't know.'

Most writers spend their lives standing a little apart from the crowd, watching and listening and hoping to catch that tiny hint of despair, that sliver of malice, that makes them think, 'Aha, here is the story.'

Yes, I have four children. Four children with whom I spend a good part of every day: bathing them, combing their hair, sitting with them while they do their homework, holding them while they weep their tragic tears. But I'm not in love with any of them. I am in love with my husband.

I pity the young woman who will attempt to insinuate herself between my mama's boy and me. I sympathize with the monumental nature of her task. It will take a crowbar, two bulldozers and half a dozen Molotov cocktails to pry my Oedipus and me loose from one another.