There is a congratulatory culture in the Gulf. From birth onwards, there is a culture of giving people trophies as markers of achievement for making it through society. It's cementing allegiance to authority at a very young age.

There are very few pop people I'm interested in working with.

I feel like there is an emphasis against teaching geography in American schools. Americans don't say, "I'm going to Germany." They say, "I'm going to Europe."

I had a story-telling mother; she's written novels and short stories. So I feel like maybe I'm staying alive by telling tales.

I'm sure that a lot of my friends - even though they're curious about the music of nations that are not on their radar - still don't know what Kuwaiti music sounds like.

For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.

The vast majority of women musicians function under singular names like 'Cher' 'Madonna'. They have to get married almost immediately to preserve their honour.