My music doesn't exist in a vacuum; there's a script and there's an actor and it's about to come together.

I'm fascinated by evil queens. They're very alluring and repellent at the same time, and I'm into that dichotomy.

I'm not a philosopher so why should I provide anyone with the answers? I'm just a musician, I don't have any solutions. All I'm doing is questioning the status quo, with every record I've made, to a certain extend.

I had a story-telling mother; she's written novels and short stories. So I feel like maybe I'm staying alive by telling tales.

I've been exploring gender performativity in the Gulf since I was a teenager. I'm not a gender anthropologist, but I feel like there's an extreme binary between femininity and masculinity in the Gulf. From a young age, I knew I didn't want to be part of it. Gender is a huge gray area, and the problem with defined roles is that they cover up undefined ones.

For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.

There's a big difference between the Arabic and Western scales. One uses quarter tone system and one doesn't. So in order for me to compose real Arabic scale melodies, I would need an Arabic keyboard, and I don't have one. So I had to compose Arabesque melodies.