I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.

Blues purists never cared for me. I don't worry about it. I think if it this way: When I made 'Three O' Clock Blues,' they were not there. The people out there made the tune. And blues purists just wrote about it. The people is who I'm trying to satisfy.

You never miss what you've never had. I never had any other life. I didn't know any other life.

And as long as people have problems, the blues can never die.

There was a lot of other young players around at that time when I was coming, but there was older people like Blind Lemon, which was one of my favorites. I don't know, just seemed like everybody I heard could play better than me.

I'm self-taught. But I finally learned that they was having little shows or night dances or whatever you call them at little juke joints not far from where I lived, and I used to go there. They wouldn't let me play inside, but I could sit outside on the weekends, when it wasn't raining or something.

I've been married twice. Most women would rather not be married to a traveling blues singer