My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.

Touring is really a weird social experiment, even though everyone thinks it's a party every day.

I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line.

Oftentimes, when music is just blasting out it seems like it's overcompensating for something missing in the song's structure. When I think of the music that I listen to constantly, it's never like an assault.

Even as a fan, as someone who's into his performances, the Stooges and his own stuff, Iggy [Pop] is one of the people who kept underlining something that a lot of my older musician friends with punk roots say: you get into this space in your life where you feel like a weirdo, you're marginalised, you don't fit in... and then you can get up on stage in front of people who probably hate you.

When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.

I don't want my reasons to be informed by what people think about what I'm doing.