Babatunde Adebimpe Quotes

Touring is really a weird social experiment, even though everyone thinks it's a party every day.

There are people who kind of let you know that you can silence the room.

I don't want my reasons to be informed by what people think about what I'm doing.

The feeling of being halfway through a show and just realizing that there's nothing you can do to save it - it's a horrible feeling.

One second you're having the time of your life in front of all these people, and then you come backstage to the exact opposite - there's only lukewarm carrots back there.

I've had terrible, terrible, terrible shows where I just thought, "That was off-key" or I forgot lines or I thought I looked like an idiot, and then you're leaving and talking to people, and they're like, "I had the best time of my life! That was amazing!" You just never know.

Painting and animation can be kind of long work. Music was more immediate and more fun.

Ten years is a pretty good run for anything.

Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.

Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.

I probably couldn't have the same experience listening to that song because I'm self-conscious about some of my singing parts.

I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line.

I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that's ultimately universal and that may just be a feeling.

You turn into this desperate dude looking for a shred of attention when you just had so much. It's like, "I'm just lonely and all I really want is a hug, but I gotta capture that in something real gross." You start to understand why circus clowns are alcoholics.

Most of the bands that I really like no longer exist. That might just be because I'm in my thirties or whatever. But I also think it's the rare band that doesn't, like, turn into something else.

Adam is one of my favourite writers, period. He has such a unique voice and he's somebody who I admire so much for putting the effort into inventing his own language and furthering it.

I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don't want to be around basic human bullshit.

A lot of people have reunion things, but I think bands are supposed to break up.

No one wanted a job. No one could hold a job. You tend to see those going hand in hand.

Most of the bands that I really hold in my heart - you don't think about them as bands; they're just the soundtrack of your life.

You can physically move yourself around but there's that great line that Adam wrote: "Does it define for life, like print of thumb?" I think it does.

If you push hard enough you can change. You can take everything you know and round it up, turn it into something else, and keep turning things into something else.

Hearing that [David] Bowie passed was like you don't really believe it. It's as if the sky shifted a little bit, to remind you it was there.

When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.

I feel like people just let each other live a little more in New York.

There was something in me, even leaving fifth grade, that hit me and said, "I have to get out of here. I don't know where, and I don't know what else I can do but I'm really not going to end up like any of these people."

If anybody won life, David Bowie did, at least as a creative entity in the sense of writing yourself into existence and writing yourself out in such a graceful swoop.

I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it's even worse thinking that it'll go away if you just ignore it.

I feel like now if you're going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or "We're in a library for some reason!"

I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.

Oftentimes, when music is just blasting out it seems like it's overcompensating for something missing in the song's structure. When I think of the music that I listen to constantly, it's never like an assault.

I was living in a loft with Dave Sitek - this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.

Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there's more than 808s in the universe.

I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.

Even as a fan, as someone who's into his performances, the Stooges and his own stuff, Iggy [Pop] is one of the people who kept underlining something that a lot of my older musician friends with punk roots say: you get into this space in your life where you feel like a weirdo, you're marginalised, you don't fit in... and then you can get up on stage in front of people who probably hate you.

There are a lot of spikes that can happen when what you're doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.

The cynicism doesn't come across in the final; it can be taken as a very sincere plea for someone to not go away.

My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.

It's insane when someone shows up to your show and is like, "You could run off with me right now!" I'm like, "It's cool, I think I'm gonna go read."

You have to be a really talented writer if you're trying to encapsulate a news story with a song and have it live after the event. I don't have the focus to do that, really.