Oftentimes, when music is just blasting out it seems like it's overcompensating for something missing in the song's structure. When I think of the music that I listen to constantly, it's never like an assault.

I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line.

I've had terrible, terrible, terrible shows where I just thought, "That was off-key" or I forgot lines or I thought I looked like an idiot, and then you're leaving and talking to people, and they're like, "I had the best time of my life! That was amazing!" You just never know.

I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.

I don't want my reasons to be informed by what people think about what I'm doing.

Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.

I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don't want to be around basic human bullshit.