"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.

I work in comedy, journalism, media, and technology, many of which don't have a lot of black faces in visible positions. I walk through Brooklyn with a surfboard. It's fun to challenge and expand people's expectations.

Mostly I try to be the best example of me that I can be.

By the time I got to Harvard, I feel like I knew who I was, and my job there was to throw as much against the wall as possible, to see what would stick.

I don't know that I'm post-anything. I'd like to think maybe I'm post-bullshit.

There's certainly a lot of noise in the hip-hop world now [that] I don't pay active attention to, but to the extent that I represent some flavor of what's happening in hip-hop - it's subconscious.

There are so many ways to be and to be black at the same time, but we're finally seeing that full range expressed much more widely than before.