So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.

My father used to describe how he'd love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That's what it's like, every day, when you're making a film. It's the magic.

I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.

It's been such a huge part of my life, it's hard for me to separate it out. All I can say is that I had an extraordinary childhood. I was around these amazing people and went to exotic locations. The whole movie-making thing is so magical.

The paparazzi terrify and torment people and endanger people and it's really unpleasant.

And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn't for Sean Connery, we wouldn't all be here. I was raised to fight for what I believed in, so I wasn't going to give up. I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He's been an extraordinary Bond, and he is very much the right Bond for the 21st century.

People go to extraordinary lengths to get films made.