You want to make a representative selection, but at the same time, you want to give a sense of the whole project. I have this big conflict in my writing life that I'm trying to work out all the time.

You want to make a representative selection, but at the same time, you want to give a sense of the whole project. I have this big conflict in my writing life that I'm trying to work out all the time.

I don't know anything about chemistry, but I know that there's a whole world of chemistry, of professional chemists. They have their prizes, they have their publications, they have their work. Just because I don't know about it, doesn't mean that it doesn't exist. A lot of people say, "Isn't poetry in trouble today?" Or: "Nobody really reads poetry anymore." And I say, "You're crazy." There's a huge world of poetry out there. You may not know about it, but it's there.

One of my problems with religion is that it's limiting in so many ways. I remember the first time I took a humanities class, I thought, I can't believe this. This is fantastic. This is what I want my life to be. When I was a young person, I did a lot of dabbling in Eastern religions, and it was very satisfying in some ways, but there's that limitation always, which I find myself bridling against.

Travel is something that I like to do because it gives you lots of images, and it also really makes you think about your own place in the world in a very different way.

I guess it was easier for me to find my voice in poetry than it was in fiction. I'm working on fiction again, and I find it a lot more difficult. It's a struggle. At a certain point, you have your voice and you go to it every time, so it's not like reinventing the wheel. That's the way I see it at least.

I think it's really hard to be joyful. I work hard at it. I always feel like it's a choice. You can be joyful or you can be depressed, and there just doesn't seem to be any future in depression.