When we traded homemaking for careers, we were implicitly promised economic independence and worldly influence. But a devil of a bargain it has turned out to be in terms of daily life. We gave up the aroma of warm bread rising, the measured pace of nurturing routines, the creative task of molding our families' tastes and zest for life; we received in exchange the minivan and the Lunchable.

Feeling that morality has nothing to do with the way you use the resources of the world is an idea that can't persist much longer. If it does, then we won't.

If someone does learn about the world from reading a novel of mine, that makes me very happy. It's probably not what brings me into the novel in the first place - I usually am pulled in by some big question about the world and human nature that I'm not going to resolve in the course of the novel. But I'm very devoted to getting my facts straight.

I don't look like who I am.

Poetry feels like a country I visit without a passport, where I look around furtively, grab hold of something precious, and try to smuggle it back across the border. Any poem I get written down feels like contraband to me.

What you lose in blindness is the space around you, the place where you are, and without that you might not exist. You could be nowhere at all.

A careless way of sauntering across the earth and breaking open its treasures, a terrible dependency on sucking out the world's best juices for ourselves-these may also be our enemies. The changes we dread most may contain our salvation.