Poetry feels like a country I visit without a passport, where I look around furtively, grab hold of something precious, and try to smuggle it back across the border. Any poem I get written down feels like contraband to me.

the novel is inherently a political instrument, regardless of its subject. It invites you - more than invites you, induces you - to live inside another person's skin. It creates empathy. And that's the antidote to bigotry. The novel doesn't just tell you about another life, which is what a newspaper would do. It makes you live another life, inhabit another perspective. And that's very important.

Want is a thing that unfurls unbidden like fungus, opening large upon itself, stopless, filling the sky. But needs, from one day to the next, are few enough to fit in a bucket, with room enough left to rattle like brittle brush in a dry wind.

Your own family resemblances are a frustrating code, most easily read by those who know you least.

Codi: Gives you the willies, doesn't it? The thought of raising kids in a place where the front yard ends in a two-hundred-foot drop? [referring to cliff dwellings] Loyd: No worse than raising up kids where the front yard ends in a freeway.

I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved.

I concentrate on character, theme, language, structure, voice. It actually surprises me that no matter what I write, people declare it "intently political." I'm just writing about the world I know, as it is. Wounds and griefs included.