Hunger of the body is altogether different from the shallow, daily hunger of the belly. Those who have known this kind of hunger cannot entirely love, ever again, those who have not.

Gilbert has established herself as a straight-up storyteller who dares us into adventures of worldly discovery, and this novel stands as a winning next act. “The Signature of All Things” is a bracing homage to the many natures of genius and the inevitable progress of ideas, in a world that reveals its best truths to the uncommonly patient minds.

When people are frightened about going hungry and paying their mortgages, a scarcity model begins to prevail; they fear someone else will get their piece of the pie.

This manuscript of yours that has just come back from another editor is a precious package. Don't consider it rejected. Consider that you've addressed it 'to the editor who can appreciate my work' and it has simply come back stamped 'Not at this address'. Just keep looking for the right address.

There's a graveyard in northern France where all the dead boys from D-Day are buried. The white crosses reach from one horizon to the other. I remember looking it over and thinking it was a forest of graves. But the rows were like this, dizzying, diagonal, perfectly straight, so after all it wasn't a forest but an orchard of graves. Nothing to do with nature, unless you count human nature.

A novel can educate to some extent, but first a novel has to entertain. That's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessibility. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with - who may not often read anything but the Sears catalog - to read my books.

Because I write fiction that is based in the real world, it's going to lead people into some of the modern dilemmas and concerns and even catastrophes that they will think about in a new way.