Loose lips sink ships.

Every time I step onto an airplane, I turn to the right and take a good, hard stare into the maw of the engine. I don't know what I'm looking for. I just do it.

When I look out the window, I exhale a prayer of thanks for the color green, for my children's safety, for the simple acts of faith like planting a garden that helped see us through another spring, another summer. And I inhale some kind of promise to protect my kids' hopes and good intentions we began with in this country. Freedom of speech, the protection of diversity - these are the most important ingredients of American civil life and my own survival. If I ever took them for granted, I don't know.

the novel is inherently a political instrument, regardless of its subject. It invites you - more than invites you, induces you - to live inside another person's skin. It creates empathy. And that's the antidote to bigotry. The novel doesn't just tell you about another life, which is what a newspaper would do. It makes you live another life, inhabit another perspective. And that's very important.

This will be Great Mam's last spring. Her last June apples. Her last fresh roasting ears from the garden.

In exchange for his first taste of powdered milk, Pascal showed me a tree we could climb to find a bird's nest. After we handled and examined the pink-skinned baby birds, he popped one of them into his mouth like a jujube. It seemed to please him a lot. He offered a baby bird to me, pantomiming that I should eat it. I understood perfectly well what he meant, but I refused. He did not seem disappointed to have to eat the whole brood himself.

The gods you do not pay are the ones that can curse you best.