All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It's scary.

Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.

I want to speak, show, see, and hear outrageously astute questions and comments. I want to be on the sides of pleasure and laughter and to disrupt the dour certainties of pictures, property, and power.

I just say I'm an artist who works with pictures and words.

I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.

Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.

I think there are different ways of being rigorous, and I am asking people to be as rigorous in their pleasure as in their criticism.