Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.

I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.

There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.

I remember going into galleries and seeing this thing called conceptual art, and I understand people’s marginalization from what the art subculture is because if you haven’t crashed the codes, and if you don’t know what it is, you feel it’s a conspiracy against your unintelligence. You feel it’s fraud.

Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans.

You want it, you buy it, you forget it.

It's hard for me to understand how working-class people support themselves.