It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.

If I bring up political power, personal power, it sounds like they're my terms, and they're not.

All violence is the illustration of a pathetic stereotype.

Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.

I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.

I see my work as a series of attempts to ruin certain representations and to welcome a female spectator into the audience of men. If this work is considered incorrect, all the better, for my attempts aim to undermine that singular pontificating male voice-over which correctly instructs our pleasures and histories or lack of them.

I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.